In the Art Studio: Plasticine Art Inspired by Barbara Reid

IMG_1838

This month we have been inspired by renowned Canadian author and illustrator Barbara Reid. Barbara Reid has worked on some of my class’s favourite read-alouds: Picture a Tree, Perfect Snow, and Subway Mouse. When reading, we often discuss how an artist may have created their illustrations. My students were very interested in how Barbara was able to achieve such realistic and detailed pictures using Plasticine.

Lucky for us, Barbara Reid has created a series of tutorial videos which you can find on YouTube (links below). In her videos, Barbara talks about how she goes about creating her artworks: from the planning stage (researching, sketching a picture), to creating a background, to adding fine details and textures to her work.

Video: Making Plasticine Pictures with Barbara Reid Part 1

Video: Making Plasticine Pictures with Barbara Reid Part 2

Video: Making Plasticine Pictures with Barbara Reid Part 3

For this project, I cut our Plasticine into very small pieces so it would be easy for the children to manipulate (and because a little goes a long way!). I arranged the pieces in small containers by colour. I also included some of Barbara Reid’s books and a non-fiction book about Barbara Reid herself. We also had dry cloths for wiping our hands (as Barbara suggested) and some tools for adding texture. For the planning process, the children had pieces of cardstock and pencils for sketching. We made our Plasticine pictures on small canvas boards I found at the dollar store. The children were extremely excited to do their work with “real artist materials.” For me, it is very important to give the children beautiful and authentic art materials to use and work with. Their art is more than deserving of quality materials and in my experience, they seem to take their art more seriously when they perceive materials to be “special.”  For this project, the strength of the canvas boards was an added advantage, as it made it easier for the children to spread the Plasticine.

IMG_1813

During the planning process, I really didn’t meddle too much in what the children were sketching or wanting to create, thinking the children would figure out on their own what was going to work and what wasn’t. For example, the first group of children who visited the studio realized that creating people with Plasticine was a big challenge, and advised their classmates accordingly during reflection time. Spreading the Plasticine was also a challenge for some (and a great fine motor muscle workout!). Some children took a few sessions to complete their backgrounds, pausing and coming back later to give their fingers a rest. Other children wanted to persevere and complete their backgrounds so they could get to adding their flowers or bugs or animals. If you’re wondering how long it took the children to complete their pictures, it varied between one session (about half an hour) to a few days, depending on each child.

IMG_1809

Y.A.: “I want to make a picture of a cat.” 

IMG_1871

A.J. spreads the Plasticine to make a sky. “I’m mixing the colours. A little bit of dark blue and a little bit of light blue.”

IMG_1835

Y.A.: “I’m making my grass like Barbara Reid. I’m rolling snakes and making them flat like grass. I’m doing a pattern: light green, dark green, light green, dark green…”

IMG_1842

R.A.: “I’m making a little mousey like Barbara Reid. It’s just like The Subway Mouse.”

Here are some of the children’s completed art works. I have them displayed on a low chalkboard ledge in our classroom and the children can often be found admiring them!

IMG_1894

S.C. “I made a rainbow and a little girl is camping in the tent.”

IMG_1932

IMG_1846

IMG_1897

IMG_1853

Honestly, the children were SO proud of their completed art works. They loved showing them off during reflection time and talking about the process they used to make them. During one reflection session, we started talking about how Barbara Reid gets her Plasticine pictures in the pages of her books. One student remembered that Barbara’s husband photographs her art for her so the pictures can be used as illustrations. One student suggested that we take photographs of our work and use the pictures to make a book by writing our own stories. I loved that the children were inspired to create their own stories, so we set up a story-writing invitation.

At the writing table, I gave the children some mini easels to place their art on. I put out plain paper and some black pens. The children could choose to write about their own work or a classmate’s work that inspired them. This proved to be a popular invitation! Some children returned each day to write a new story! We loved listening to each other’s stories during reflection time – some children’s stories were so popular, the class asked them to read it aloud more than once.

IMG_2043

IMG_2045 - Copy

 

IMG_2095 - Copy

E.H. “Once there was a little ladybug. She wanted to rest on a flower. The red flower was wet but the purple flower was just right. The End.”

IMG_2077 - Copy

“I went out on a stormy day.”

We are still in the midst of our story writing. I was interested to see the emergence of a narrative voice in the children’s work and am curious about exploring this further with the class. Stay tuned!

New Year, New School, New Classroom for Inspiring CURIOSITY…

As you may know from reading my About section, last year I was at home on maternity leave after the birth of my second child. This year I’m returning to the classroom at a new school (closer to home, yay!) with a ton of ideas I’ve collected from the books I’ve recently read and the conversations I’ve been able to participate in online via Twitter. If you aren’t on Twitter, I highly recommend joining if you are interested in connecting with other like-minded educators. There is a strong PLN network online which you can access by searching #kinderchat and #ReggioPLC.

In preparation for set up, I spent some time making a list of the centres I wanted to have in my classroom. I then set about drawing some floor plans to give myself an idea of how the room might flow and to figure out what made sense based on where preexisting elements (sink, windows, doors, outlets, etc.) were located. Then I started moving furniture around. I went through a few placements before settling on what I have now. I anticipate making some changes as the furniture that has been ordered for my class begins to arrive (sometime in September) and I am able to observe how the children view/use the space.

Here is how things look at the moment:

House Centre/dramatic play.

House Centre/dramatic play

A closer look at the kitchen hutch filled with lovely wooden items from the thrift store.

A closer look at the kitchen hutch filled with lovely wooden items from the thrift store.

Light Table (currently stocked with Magformers - one of our new favourite materials). The overhead canopy creates a really quiet and cozy space for exploring.

Light Table (currently stocked with Magformers – one of our new favourite materials). The overhead canopy creates a really quiet and cozy space for exploring.

Playdough centre/multi-use table.

Playdough centre/multi-use table

Sand Table. Only one sensory table has arrived, but I plan to make due with one by placing the lid on top of the sand and using a large rubbermaid container on top for a water table.

Sand Table. Only one sensory table has arrived, but I plan to make do with one by placing the lid on top of the sand and using a large Rubbermaid container on top for a water table.

A closer look at some of my new materials for the water table (also from the thrift store). My son played with these all summer, using herbs and plants from our garden for "tea parties" and "soup" - excited to see what the children do with them!

A closer look at some of my new materials for the water table (also from the thrift store). My son played with these all summer, using herbs and plants from our garden for “tea parties” and “soup” – I am excited to see what the children do with them!

Art Studio

Art Studio

Science and Nature centre. Currently set up with rocks and shells from the beach ("What do you notice?"). I will also be providing the children with jars of water and small brushes for them to experiment with how the water affects the look of the rocks and shells.

Science and Nature centre. Currently set up with rocks and shells from the beach (“What do you notice?”). I will also be providing the children with jars of water and small brushes for them to experiment with how the water affects the look of the rocks and shells.

Blocks and building materials. The rainbow is from Grimm ("Rainbow Stacker") and provides endless opportunities for open ended play. The basket is full of carpet squares (different sizes) from Arts Junktion, there is also a basket of playskils (not visible).

Blocks and building materials. The rainbow is from Grimm (“Rainbow Stacker”) and provides endless opportunities for open ended play. The basket is full of carpet squares (different sizes) from Arts Junktion, and there is also a basket of play silks (not visible).

"Teacher Centre"  A quiet place to re-enact classroom routines, read books, and play with literacy materials.

“Teacher” Centre.
A quiet place to re-enact classroom routines, read books, and play with literacy materials.

IMG_3472

Math Centre: This is an area I see getting rearranged in the near future (the platform will likely be moved to a new location for small building). However, in the meantime I’m sure some children will enjoy having a raised surface on which to explore some of the materials I have laid out. The white cube in the corner is a light cube. It creates a soothing and cozy glow when illuminated.

Math Centre materials

Math Centre materials

Writing Centre

Writing Centre

Writing Centre materials.

Writing Centre materials

Carpet Area (with soon to be arriving carpet...). I have really enjoyed having a couch to share with the children in the class. It is a perfect spot for children to sit and share their thinking/learning with the class during reflection time, a great place to curl up with a book, and has been a comforting spot to sit amongst the pillows when students are feeling out of sorts.

Carpet Area (with soon to be arriving carpet…). I have really enjoyed having a couch to share with the children in the class. It is a perfect spot for students to sit and share their thinking/learning with the class during reflection time. Many students also enjoy curling up here with a book. Since I don’t have a “teacher desk” I find myself sitting here when the day is done to reflect on what I saw and heard during the day.

So this is what I have set up for now. I’ll keep you posted on any changes/developments as they unfold. I am SO excited to meet my new students and begin our learning journey next week!

Art Studio Inspiration: Drawing Projects for Children

cover drawing

It’s summer, so if you’re anything like me, you are spending quite a lot of time reading resource books to get ideas for the new school year. I am moving to a new school this year and am therefore starting with a blank slate for my classroom set up. How exciting! One area I have been thinking a lot about is the Art Studio space. So many of our most engaging and creative inquiries have at some point involved work at the studio. Over the years, I have recommended Ann Pelo’s The Language of Art (you can read about that here and here) as a wonderful resource for artistic inquiry. And indeed, I am re-reading that in preparation for the new year…there is always something new to discover!

Today I have another wonderful book to recommend. A couple of weeks ago, I happened upon a new resource for Studio work that is so inspiring I was practically giddy while reading it. The book is called Drawing Projects for Children by Paula Briggs. I came across a recommendation for this book via the following pin on Pinterest titled, “The Perfect Activity to Start Your School Year” (I mean, who could resist clicking on that? And aren’t I so glad I did! What a find!):

The Perfect Activity to Start Your School Year

In her book, Paula speaks about “playing it safe and taking risks.” She says, “For children to get the most out of drawing, they need to be encouraged to push beyond what they consider ‘safe’ (‘safe’ drawings are those in which we know what the outcome is going to be before we have even started making them) and to take risks. By doing so they will widen their concept of what drawing is and what they are capable of achieving.”

Many of the projects in Drawing Projects for Children involve experimentation with different kinds of materials and ways of mark making as well as some dramatic extensions (my favourite is the “Making Spells from Still Lifes” project). Be sure to take a look at the link above on The Art of Education which features an amazing idea from Paula’s book that is perfect for exploring lots of different drawing materials (and which The Art of Education suggests is “the perfect activity to start your school year”).

I can’t wait to give the projects in this book a go! If you’d like more information about Paula Briggs, you can check out her website AccessArt (with loads more art ideas) here: https://www.accessart.org.uk/paula-briggs/

Happy Reading!

A Map of My Heart

Featured

DSC02401

What is love? What are the things that you love the most? If we could see inside your heart, what would we find there? These are the questions we examined in our class through the Map of My Heart project. All of this really began when we noticed the children showing an interest in making maps at the writing table. To support and challenge their thinking, we added special “map paper” and an amazing book called My Map Book by Sara Finelli to our writing centre. In My Map Book, Finelli inspires us to think about maps in a whole new way with wonderful images of maps including: “A Map of My Dog,” “A Map of My Day,” “A Map of My Stomach,” and yes, “A Map of My Heart.”

my map book finelli

With Valentine’s Day approaching, I wanted to discuss the theme of love and friendship with my students. To get them thinking about love, we focused on Finelli’s heart map and talked about what we might find in our own hearts. At the Art Studio, we offered the children an opportunity to continue thinking about these questions by making their own heart maps (see the original idea from Playful Learning here: http://playfullearning.net/2009/01/map-of-my-heart/). I felt it was important to give the children as much thinking time as possible for this activity, so rather than having them dive right in to the drawing and painting process, we provided them with planning paper so they could jot down their ideas first. This also had the added bonus of creating some lovely opportunities for dialogue between children as they shared their plans with each other. I found that throughout the art process, children routinely referred back to their plans to help them include all their original ideas in their art piece.

DSC02253

After planning, the children set to work filling in their heart maps. We used permanent black markers for the drawing process and watercolour paints to add colour when the drawings were complete. As part of our evaluation and discussion of Finelli’s heart map, some children felt that some things would naturally take up more space in our hearts (e.g. more love for my family = a large space in my heart vs a little bit of love for flowers, which would = a smaller corner of my heart) and tried to represent this in their work. Overall, I felt the finished pieces so charmingly represented all of the things my students hold dear – and I learned even more about what kinds of things/experiences are really important to the children in my class.

DSC02258 DSC02403

DSC02402

DSC02404

Our Wonderful Tree: A Collaborative Art Piece

Image

This week, two projects we have been working on came together at the Art Studio: The Dot Project and our Tree Study. I could easily tell you all about it, but instead we asked the students to write about what they created, how they made it, and how they felt about it. Here is what the children wanted to say (they even came up with the title!):

Our Wonderful Tree: A Beautiful Art Piece
We made art at the Art Studio – something we’ve never made before! We used Plasticine. Plasticine is like Playdough except it is hard. We had to rub the Plasticine with our hands to warm it up. Some of us blew hot air on it or put it on the heater to make it soft. We made a tree trunk and tree branches. Then, we each made a leaf in the shape of a dot. Some of us put our leaves on top of other leaves. We used all the colours of the rainbow (and the colours of fall). Some of us mixed up the colours to make swirls of colour. Our Kindergarten helpers helped us add grass and a butterfly and a flower to our work. Our work makes us happy because it’s so big! We are surprised that we made something that we’ve never made before and it turned out so nice. We are proud that we made such nice art. Some of us are sad that we are finished because we wanted to keep doing more!

Image

Image

Image

Image

In the Art Studio: Still Life Portraits

Image

This experience is another gem that comes from Ann Pelo, author of The Language of Art: Inquiry Based Studio Practices in Early Childhood Settings.

Here is what Ann has to say about still-life portraits:

“In creating still-life portraits, children form an intimate relationship with their subject. They spend time looking closely, aligning themselves with the subject of their work. Then they translate their understanding of the subject to paper, first sketching with black pen and then adding colour.”

Image

In my classroom, I refer to still-life portrait experiences such as these as “dainty painting.” ‘Dainty’ refers to the fact that the children use fine tipped markers and fine brushes to create their artwork. I have never understood why Kindergarten children are always given large, fat brushes to paint with. Large brushes are incredibly difficult to manipulate with small hands, hold more paint than is often needed, and are not useful for adding small details. In the pictures below, you’ll notice that we use only the smallest of brushes for this activity. If the goal is for the children to notice the finest of details in their subject, we need to give them the proper tools for them to recreate what they see.

Image

Before painting, the teacher spends time with the children looking closely at the gourds. The children are encouraged to talk about what they notice about each gourd’s size, texture, shape, and colour. Interesting markings or designs are also noted. When the children have had time to get acquainted with their subject, they are given fine black markers to sketch what they see. At this point the teacher may offer suggestions on how the children can add more details to their work. Finally, the children use watercolour paints to add colour to their sketches.

Image

J: I got a beautiful gourd. I notice it’s green on the bottom and yellow on top. It is a beautiful gourd. It has lots of bumps on it too.

E: I made lots of bumps because it is bumpy. My gourd is orange and yellow. It looks like a pear. The stem is green – actually, it’s a really dark green.

G: There are lines on the pumpkin so I drew them. The lines help me keep my painting neat.

W: This one is hard because it has two colours. I can’t make it the right colour. When I added more green it turned the yellow green too and I can’t fix it.

Y: It’s a fluffy one. It’s green, yellow, and orange. It has so many bumps. It looks like a melon.

K: The stem is kinda wiggly!

Image

Dainty painting is an art experience that we revisit often throughout the year. Over time, the children become expert at using their senses, describing what they notice, and using their art skills to recreate what they see on the page.